Science, Fiction, Life

Category: Philosophy

A Life Well Spent – Part 2: Do Good, Create Something, Have Fun

This is the second part in a series of philosophical posts that I started in early 2021, and which I have added to in fits and starts over the last few years.

In Part 1, I started with questioning my inability to fully believe all the feel-good advice about setting aside achievement and “enjoying the moment.” That quickly led down an existential rabbit hole, through some definitions of terms, to the Big Question of “How do I spend my life well?”

After thinking about this a lot (after all, this series of posts has, somehow, taken me several years to write), I find that my answer really boils down to three key points:

  • Do good
  • Create something
  • Have fun

Let’s take a look at each of these in turn. 

Do Good

If the first aspect of a life “well spent” is that we should “do good,” the immediate follow up question is: how much is good enough? Is my life wasted unless I do as much good as possible? Is it morally acceptable to do less? As the lyric from Hamilton goes: 

“And when my time is up / Have I done enough?”

I am very privileged, which means I have a lot that I could give up. If I donated all of my life savings, it could save or change many lives. Is it morally acceptable to keep that for myself? I am still relatively young and relatively healthy, so if I gave up on studying Mars and dedicated my life to service I could likewise have a big positive impact. Is it ethically acceptable to use my skills on something that does not directly address any of the many problems the world is facing? 

Heck, maybe I should run for office so that I can be in a position to enact better policies that would help tons of people. So what if I would hate it, if I could have a big positive impact, then I should do it right? (To be clear, I should not run for office. US politics is not the best place for an introverted atheist scientist.)

Should I give up everything I possibly can to maximize how much I help others? The world might indeed benefit if more of us did that, but it’s a false choice. The only choices are not: (1) Give up literally everything to make the world a better place, but live a miserable life, or (2) Give up nothing and live a comfortable but selfish life. As with everything, the goal is balance. How do we maximize both our positive impact on the world and our enjoyment of life? The optimal solution will be different for different people, but all or nothing thinking is a trap.

(As an aside, because these posts took me a long time to write, I learned long after I had written this part but before I had finished, that the philosophy term for someone who maximizes the happiness that they generate in the world at the expense of their own happiness is a “happiness pump” and it is one of the primary critiques of a purely utilitarian philosophy. There’s a whole episode of The Good Place about this.)

(And another aside: whether we are talking about giving up money, or changing behaviors, it is important to acknowledge the staggering inequality of the world. I can make some difference by donating and recycling and the like, but a billionaire or a corporation could give up proportionally far less and have a far greater positive impact.)

Kieran Setiya discusses this same question – “How do I know if I have done enough?” – in Life is Hard:

…though we know that we have limits, we don’t know where those limits are. The result is that, when I ask myself whether I am doing enough to meet my responsibility for justice, it would be an awfully neat coincidence if the answer were yes. What are the odds that I’ve hit the mark precisely, the most I can expect of myself? Close to zero, I would think. The result is that I am virtually certain that I am falling short. Perhaps it’s obvious that I am. But the same reasoning applies to almost anyone, even those who do much more, people whose lives are devoted to social change. They can’t be sure they’ve done enough. In conditions of profound injustice, we are compelled to doubt that we are living well.

There’s instruction and reassurance to be found in this. We shouldn’t feel too bad that we feel bad: our guilt is not a mistake. More important, we shouldn’t let it put us off, condemning our own efforts as too small. They may be small—but it’s perverse to deal with that by throwing up our hands and doing less. There is value in a single step toward justice, and one step leads to another.

[…]

You may not do enough, but the difference you make when you save a life is the same whether you save one of two or one of two million. A protest may not change the world, but it adds its fraction to the odds of change. It’s wrong to disregard the increments.

It’s easy to tell stories about heroic individuals, and it’s good to take inspiration from those who go above and beyond and do great works, but we don’t all need to be heroes. More to the point, we can’t. As I discussed in my second “Finding Balance” post, we are taught by our very individualistic culture that problems are always solved by heroes: remarkable people who, through sheer force of will, single-handedly change the world. The thing is, most of the problems in the world cannot (and never have been) solved by one person, no matter how passionate or brilliant, no matter how much they sacrifice. If there is a boulder blocking your path, you can recklessly dash yourself against it and have no effect other than hurting yourself. That doesn’t mean don’t try to make things better, it means we need to prioritize sustainable, collective efforts rather than martyring ourselves to a cause in an attempt to single-handedly fix the world.

It does feel like this sometimes…

My conclusion on this question is that the goal is not to do the most good we can at the expense of everything else. The goal is to do good when we can, and avoid bad when we can. Yes, push the limits of what we’re comfortable sacrificing (whether it’s time, effort, money, etc.) but it is ethically acceptable to not be a “happiness pump.” We cannot reasonably expect ourselves or others to be purely dedicated to improving the world every moment of every day. It is ok to do things that make us feel happy and fulfilled, not just things that have a measurable positive impact. Ideally, we can find ways to both have a positive impact and feel happy and fulfilled while doing so. Which leads to…

Create Something

The second aspect of my definition of a life “well spent” is to create something. To quote Hamilton again:

God help and forgive me, I wanna build something that’s gonna outlive me.

I talked about this already in my second Finding Balance post and probably in other places too: as someone who doesn’t believe in an afterlife, I want to put something of myself into the world so that when I am gone, some part of me remains. Is this a self-centered, ego-driven impulse? Absolutely. But it’s there, and I don’t think I’m unusual in feeling this way. There is a reason that one of the most famous stories ever told focuses on the choice between living a long, ordinary, but forgettable life or dying young but living forever in legend. The appeal of being remembered is so strong that dying young to achieve it has been a compelling choice for thousands of years:

“My mother Thetis tells me that there are two ways in which I may meet my end. If I stay here and fight, I shall not return alive but my name will live forever: whereas if I go home my name will die, but it will be long ere death shall take me.” – Achilles, The Iliad

The Achilles dilemma is not the whole picture though. While there is certainly some amount of ego in the desire to “make a mark,” there is also more to it than just being remembered. It doesn’t have to be about being remembered at all. It can also manifest as contributing to something bigger than yourself, or taking actions that will have effects long after you are gone, even if those actions are known only to yourself.

Writing, raising a loving child, painting, planting a tree, teaching, building. These all are ways to satisfy this aspect of a life well-spent. This quote from Fahrenheit 451 sums it up well:

“Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you’re there. It doesn’t matter what you do, he said, so long as you change something from the way it was before you touched it into something that’s like you after you take your hands away.” – Ray Bradbury, Fahrenheit 451

While it would be nice to be remembered, that’s not really something I can control. What I can control is whether and what I create. I want to put something of myself out into the world in a way that satisfies me and hopefully connects with others. This will manifest in many different ways, it doesn’t have to be (and probably shouldn’t) be just one big project. Writing is certainly one aspect of this, but so is my scientific work, and so is raising my kids, and many other things as well.

Writing this section has been kind of tricky because this inevitably blends with the other two aspects: Do Good and Have Fun. When we do good, the impact of that action may “ripple” out into the future, having unexpected and unknown effects. Knowing that our good actions propagate is satisfying in much the same way that creating something is, and sometimes Doing Good and Creating Something can go hand in hand. 

But, importantly, Create Something does not have to be explicitly tied up with Doing Good. It often goes the other way and blends with Have Fun. We’re allowed to put a part of ourselves out into the world, even if it doesn’t seem like it benefits anyone. It is ok to create just for the sake of creating something. It doesn’t have to be done to achieve some noble goal. Creation is worthwhile in and of itself because it allows us to share — even in some small, inadequate way — the richness of thoughts and feelings and experiences inside our head with someone else.

Of course at its best, Create Something blends with both Do Good and Have Fun and binds the three together. By creating something, we can enjoy ourselves and (deliberately or not) have a positive effect on the world. Maybe that effect is to tell a story that lets someone escape when they have a bad day, maybe our art inspires others to imagine a world better than this one and work to make that world a reality, maybe it shows someone that someone else out there is going through the same things they are. Maybe by creating something we “just” make ourselves happier and more fulfilled. That’s still a win.

“What an astonishing thing a book is. It’s a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you’re inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic.” – Carl Sagan

“You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, who had ever been alive.” – James Baldwin

(Don’t just scroll past this video, at least save it to watch later. It’s a really great reflection on creativity.)

Have Fun

“Name one hero who was happy.” – Achilles, Song of Achilles

The third facet of my definition of a life well-spent is to just enjoy life when you can. Life is tragically short, often painful or unpleasant, and ends in sadness and death. The curse of being human is that the same big brains that let us do all sorts of wonderful things also make us aware of future tragedy. 

Eleanor: All humans are aware of death. So we’re all a little bit sad… all the time. That’s just the deal.

Michael: Sounds like a crappy deal.

Eleanor: Well, yeah. It is. But we don’t get offered any other ones. 

– The Good Place

Sibling Dex, to Mosscap the robot: “Your kind, you chose death. You didn’t have to. You could live forever. But you chose this. You chose to be impermanent. People didn’t, and we spend our whole lives trying to come to grips with that.”

– A Psalm for the Wild Built

As I get older, and especially over the last few years as cruelty and pain and suffering in the world have become increasingly impossible to ignore, I have come to appreciate more and more the value of escapism, mindless entertainment, and generally anything that makes people happy. Good food, engrossing stories, games, music, art, watching sunsets, traveling the world, anything that is done for no other purpose than to enjoy it: embrace those things. People talk about “guilty pleasures.” Never feel guilty for finding joy in something. Life is hard enough without punishing ourselves for the things we enjoy.

The closest I have found to escaping the existential dread that is part of being human is to do things that absorb you in the moment and sweep you up in a “flow” state. Things that are so engaging that you can, at least for a little while, shut up the doom-and-gloom voice of the prefrontal cortex and enjoy the present moment.

One of the most reliable ways to end up in a flow state that I have found is to Create Something. Painting, writing, building something, whatever your preferred creative outlet, as long as it can engage your mind fully, it is fun and rewarding.

The other sure-fire way to enter a flow state is through entertainment. In particular, the kind that is often seen as a distraction or self-indulgent escapism. Video games, “guilty pleasure” novels, silly TV shows, sports, movies, etc.

Yeah, life is short and you’re spending some of that precious time watching reruns of that sitcom instead of solving world hunger or whatever. But you know what? You’re not a happiness pump, you’re a human being and you are allowed to relax sometimes. 

Kieran Setiya agrees:

How can we listen to music, or work on the more speculative questions of philosophy and science, while the planet burns? But while political action is urgent, it’s not the only thing that matters. In fact, it couldn’t be. If the best we could do was to minimize injustice and human suffering, so that life was not positively bad, there would be no point in living life at all. If human life is not a mistake, there must be things that matter not because they solve a problem or address a need that we would rather do without but because they make life positively good. They would have what I’ve called “existential value.” Art, pure science, theoretical philosophy: they have value of this kind. But so do mundane activities like telling funny stories, amateur painting, swimming or sailing, carpentry or cooking, playing games with family and friends—what the philosopher Zena Hitz has called “the little human things.” It’s not just that we need them in order to recharge so that we can get back to work, but that they are the point of being alive. A future without art or science or philosophy, or the little human things, would be utterly bleak. Since they will not survive unless we nurture them, that is our responsibility, too.

Or, to put it more concisely:

To be alive: not just the carcass

But the spark.

That’s crudely put, but…

If we’re not supposed to dance,

Why all this music?

– “To Be Alive” by Gregory Orr from Concerning the Book That Is the Body Of the Beloved (Copper Canyon Press, 2005)

A Life Well Spent – Part 1: Worth and Meaning

It is hard to believe but I started writing this series of posts in early 2021! It is now, inexplicably, mid-2025. I have of course not been working on these non-stop, but I return to them now and then to edit and add and tinker. I am not sure I have really figured any of this stuff out – I’m not sure anyone ever fully does, but I decided it’s time to wrap these up and share them.

It’s a new year, and despite all of the craziness of 2020, I find myself in a remarkably similar mental place to where I was last year at about this time. Maybe part of growing older is that year-to-year life is more or less the same, and so my thoughts are basically the same too. I’m stuck in the same ruts, struggling with the same issues, setting the same goals every year. I’m not sure how old I have to be for my regular everyday existential crises to earn the title of “midlife crisis,” but I feel like I’m getting close.

In 2019 I wrote a pair of lengthy philosophical blog posts as I tried to work through some mental health and existential questions. As a recap, in the first post I talked about how the book Feeling Good had helped me recognize that a lot of my mental health struggles could be traced back to a need for approval and an addiction to achievement, which was getting frustrated since I’ve hit the major milestones in my career and life and am now looking ahead to basically more of the same.

In the second post, I talked about insights from some essays by Ursula LeGuin that helped me make an interesting connection between achievement addiction, the myth of the “hero” and the desire for immortality via fame/achievement, misogyny, and taoism. And I concluded that a lot of what I was struggling with was trying to shift away from the “yang”/heroic obsession that our culture prioritizes to something more balanced, more focused on the present than on future goals.

I am pretty proud of those posts. They were difficult to write, but they helped me clarify my thoughts, and they seemed to resonate with many others. They also fit with a growing movement among people of my generation, especially during the pandemic, to challenge the conventional narrative linking self-esteem to productivity. I’m seeing a lot more discussion on social media of self care, more openness about mental health, and an emphasis on simplifying life and living in the moment.

An example is this great article. The whole thing is worth reading, but the key quote is:

“Here’s a secret I tell to my students. I’m going to tell it to you. You aren’t a tool. You are an end in yourself. Meeting your personal goal, whatever that might be, won’t give you one iota more worth than you already have. The purpose you hope to serve will hopefully fulfill you, but has no effect on your worth.

Human worth is contingent upon nothing, and your dreams are separate entities from you.” – Eric Dovigi

Reading those words makes me feel like I can breathe easier for just a moment. Likewise, going back and reading my writing on related topics makes me feel better, at least briefly. 

The problem is that the relief doesn’t last. There’s something about these feel-good ideas that I can’t quite fully believe. It has been nagging at me, and rather than letting it rattle around in my head any longer, I want to pin it down and take a close look at it. So here we go:

What if all of this philosophizing is just an elaborate way to make excuses for not achieving my goals? What if I’m just seeking out affirming messages wherever I can find them to justify the lazier course of action because that’s easier? What if this is what the process of giving up and settling for mediocrity looks like? 

Ouch. With thoughts like that, no wonder I’m sometimes anxious or depressed. These thoughts sound harsh, especially writing them down like this rather than letting them remain semi-abstract in my mind. But unpleasant things can still be true, and I think there is something significant buried in these thoughts that I need to explore.

Why is there this part of me that is so fixated on achieving goals? Why does it sometimes seem like I get more stressed out when I try to follow advice telling me not to work so much, and less stressed when I manage to actually do the work? (But at the same time, trying to be productive all the time is exhausting and burns me out.) Why does being kind to myself and living in the moment and forgiving myself if I am not spending every waking moment on something “productive” feel like giving up or failure? 

As the main character in the book A Prayer for the Crown-Shy says:

“How am I supposed to tell people they’re good enough as they are when I don’t think I am?”

At some point, I became obsessed with the idea of “making the most” of my life, of “spending my life well.” There is this piece of me that is afraid of looking back at my life from my deathbed and being disappointed with what I have accomplished. In the book A Psalm for the Wild-Built (to which A Prayer for the Crown-Shy, quoted above, is the sequel), the main character perfectly articulates this idea:

“All I have is right now, and at some point, I’ll just end, and I can’t predict when that will be, and—and if I don’t use this time for something, if I don’t make the absolute most of it, then I’ll have wasted something precious.”

In a culture that values measurable achievement and exceptionalism, I am scared of being just ordinary and forgotten after I am gone. I talked about this before: the appeal of the heroic myth is that it offers a sort of immortality. If you can be a “hero” in the sense of achieving something that leaves a mark on the world, then even after you’re dead, there is something of you left.

And yet, how does that fit with what I’ve written before about the inherent value of human life? If it is true that human life has intrinsic, non-quantifiable worth that we do not need to prove through our actions, then can it also be true that those who achieve more have “better spent” their life than those who achieve little? If it is possible to “better spend” one’s life, then does that mean that those who achieve a lot in life have more worth than those who do not? Written that way it sounds pretty bad. Do I… believe that?

Part of the problem, as always when grappling with big abstract questions like this, is with definitions. Language is an imprecise tool at the best of times, and especially for conveying the ideas involved here. There are a couple of similar but distinct concepts getting blurred together. What does it mean to “achieve” something? What do we mean when we say that a life has “meaning” or “worth” or “value”? As pedantic as it may feel, it’s worth pausing for a moment to pin down some definitions of these terms. Not just the dictionary definition, but what do I actually mean when I use them? 

Value/worth

When I say that all humans have intrinsic value or worth, what I really mean is that I choose to believe that there are basic human rights that everyone deserves. Everyone should have food, shelter, health, education, love, happiness, fulfillment. By “worth” I mean that everyone is “worthy” of these things automatically. As the excerpt from the article above says, “Human worth is contingent upon nothing.” Our achievements or our benefit to society or fame or fortune or race or religion or anything else have no bearing on whether we deserve these basic things.  

This is a definition that I take as an axiom, upon which a lot of my other thinking is based. I have no evidence to support the claim that all humans have intrinsic worth and therefore have certain rights. I want to believe it, so I do. That’s an uncomfortable statement for a scientist to make. But like so much of society, human rights only really exist to the extent that enough of us agree that they exist. I choose to believe that they do because I do not want to live in a world where they do not. (This is discussed quite a bit in the book Sapiens: that human rights, along with other seemingly fundamental ideas like religion, money, and society itself, do not “really” exist, but agreeing amongst ourselves that they do is beneficial in various ways. The author argues that this ability to create and believe in and organize around these abstract concepts is the hallmark achievement of humanity.)

Good

What does it mean for something to be “good”? I try to stick with a relatively simple definition: something is good if it makes the world a better place. In other words, does it reduce the overall amount of suffering? Does it make life more pleasant, more tolerable, more meaningful? Of course the simple definition is anything but. It is easy to fall into the utilitarian trap of trying to quantify goodness and end up paralyzed trying to figure out how to weigh the pros and cons of every action, and its second- and third- and umpteenth-order effects. There is, improbably, a whole TV show about the folly of trying to tally up goodness in this way. In the end, I think you just have to not overthink it. Just do what you reasonably can to help everyone to have the basic rights listed above. Do what — as far as you can tell — is the right thing. Make life better when you can. 

Achievement

Achievement is just accomplishing a task that you set out to do, so achieving something is not in and of itself good. An achievement is only as “good” as its outcome. If you set out to do something bad and succeed, you have achieved your goal but it was not a good way to use your time.

However, there is another dimension to achievement, and that is: how fulfilling was what you did? Maybe you set a goal and achieved it, and it was pretty neutral in terms of whether it was “good” or not for the broader world, but you’re proud of what you accomplished. In other words, it was meaningful to you. I would argue that that was a good use of your time. As the quote from the article above says, achieving your goals does not alter your worth, but hopefully it fulfills you and is meaningful to you. Which leads us to “meaning.”

Meaning

I am not religious. The idea of an afterlife is wishful thinking that people cling to because the alternative is facing the fact that someday we all cease to exist and all of the richness of our internal lives will be lost without a trace. I’m also a scientist, an astronomer posing as a planetary geologist, trained to think in terms of extremely long time scales and vast distances. Humans have existed for a blink of an eye in the history of the universe. We are less than microscopic when compared to the vastness between galaxies. On the scale of the universe we are inconsequential.

With that perspective, it’s easy to jump to nihilism. Everything is meaningless. We live short, pointless lives and then we die and the universe goes on as if we never existed and eventually the universe itself will succumb to entropy and there will be nothing. So what’s the point in caring about anything? It sounds pretty grim, but it can actually be kind of liberating. If nothing matters, why not just chill out, stop writing long blog posts agonizing over existential questions with no good answers, stop worrying about your legacy, and just enjoy your stupid insignificant life while it lasts?

“Dancing through life (down at the Ozdust)
If only because dust is what we come to
Nothing matters but knowing nothing matters
It’s just life
It’s just life
So keep dancing through”

– Dancing Through Life, from the musical Wicked

This is essentially the answer put forward in A Psalm for the Wild-Built. In the book (bear with me here if you’re not a sci-fi person) robots have become sentient and have gone off to live life in the wilderness separate from humanity. The main character of the book, Dex, is having an existential crisis and wanders off into the wilderness too, where they meet a robot named Mosscap who helps them work through these existential questions. The robot’s answer is a sort of positive, comforting spin on nihilism. I’m going to put several quotes from the book here in a row. They’re all in the same section of the book and go together. (They’re also sort of the climax of the book, so if you don’t want it spoiled, scroll past…):

“You [humans] were proud of us [the robots] for transcending our purpose, and proud of yourselves for honoring our individuality. So, why, then, do you insist on having a purpose for yourself, one which you are desperate to find and miserable without? If you understand that robots’ lack of purpose—our refusal of your purpose—is the crowning mark of our intellectual maturity, why do you put so much energy in seeking the opposite?”

“You’re an animal, Sibling Dex. You are not separate or other. You’re an animal. And animals have no purpose. Nothing has a purpose. The world simply is.”

“You keep asking why your work is not enough, and I don’t know how to answer that, because it is enough to exist in the world and marvel at it. You don’t need to justify that, or earn it. You are allowed to just live. That is all most animals do.”

“It doesn’t bother you?” Dex said. “The thought that your life might mean nothing in the end?” “That’s true for all life I’ve observed. Why would it bother me?” Mosscap’s eyes glowed brightly. “Do you not find consciousness alone to be the most exhilarating thing? Here we are, in this incomprehensibly large universe, on this one tiny moon around this one incidental planet, and in all the time this entire scenario has existed, every component has been recycled over and over and over again into infinitely incredible configurations, and sometimes, those configurations are special enough to be able to see the world around them. You and I—we’re just atoms that arranged themselves the right way, and we can understand that about ourselves. Is that not amazing?”

Or, put slightly differently by Ursula LeGuin in The Lathe of Heaven

“Things don’t have purposes, as if the universe were a machine, where every part has a useful function. What’s the function of a galaxy? I don’t know if our life has a purpose and I don’t see that it matters. What does matter is that we’re a part. Like a thread in a cloth or a grass-blade in a field. It is and we are. What we do is like wind blowing on the grass.”

The attitude is actually very comforting and appealing to me, but as I have written before ultimately I can’t help thinking it’s a bit of a cop-out. It’s true that our lives are short and our significance to the universe is nil, but guess what? The universe doesn’t get to decide what matters. We do. Meaning is a human construct, and therefore it gets defined on our terms.

In the book Life is Hard, philosopher Kieran Setiya talks about this:

while we cannot prove that there is value in the world—at least, not to the nihilist’s satisfaction—that doesn’t mean it isn’t true.

He then quotes polymath Frank Ramsey:

“I don’t feel the least humble before the vastness of the heavens. The stars may be large but they cannot think or love; and these are qualities that impress me far more than size does.”

Just throwing our hands up and saying “nothing matters because the universe doesn’t care about us” is a way to avoid the responsibility and vulnerability that comes with choosing for yourself what matters, and then living your life accordingly. In a way, religion takes a different path to end up with the same result. Nihilism and religion are both ways to shift that responsibility elsewhere. Either nothing matters in the big uncaring universe, or someone over-interprets an excerpt from an old book written by ancient superstitious weirdos and tells you what matters. The important thing is that you’ve found a way to not have to choose for yourself.

If I’m not going to choose nihilism or religion, then I need to figure out my own definition for meaning. So what is it? I think Sartre gets it right:

Life has no meaning a priori…It is up to you to give it a meaning, and value is nothing but the meaning that you choose.

Meaning is whatever we choose it to be. This definition is frustratingly imprecise, and as intimidating as the blank page before you set down the first word of a novel. Meaning is whatever inspires us with purpose, excites our imagination, whatever satisfies and fulfills us. As Victor Frankl says in Man’s Search for Meaning:

“What man actually needs is not a tensionless state but rather the striving and struggling for some goal worthy of him. What he needs is not the discharge of tension at all costs, but the call of a potential meaning waiting to be fulfilled by him.”

This, I think, gets at the heart of why I have a hard time with advice to just relax and be mindful and in the moment and stop measuring myself based on my achievements. I feel a constant conflict between the desire to take a break and relax, and the desire to achieve something meaningful to me. The key is to balance those urges. I often forget the key point that my previous posts were not about switching from one way of thinking to another, they were entitled “finding balance.” I find myself trying to overcompensate for a life spent on the achievement-oriented side of things and feel like I need to swing the pendulum all the way to the other side and focus only on living in the moment and the day to day “un-heroic” parts of life. But that’s not balanced either, and it stresses me out in its own way. I need both sides to feel fulfilled. The tension between them is not going to go away and that’s ok. 

So, if I am seeking actual balance, rather than seeking to swing the pendulum from a pure achievement focus to purely living in the present, what does that look like? How do I really “make the most” out of life?  I think about this a lot, but what does it actually mean? I’ll look at that in Part 2.

My Top 5 Books of 2022

Well, it is somehow another new year! Time just keeps on going, doesn’t it?

One of my favorite end-of-year activities is thinking back over all the books I read that year, and sharing my favorites with others. I read 32 books in 2022, which achieved my arbitrary Goodreads goal of 30 books. ( I thought I had just squeaked by with 30 books, but it turns out a couple of them had not been recorded as “Read” on goodreads!) Though to be fair, one of the “books” was actually a short story and another was a novella. They help balance out some of the super long books like Michener’s Alaska. According to my Year in Books, I read 12,531 pages. Not bad.

Overall I would say it was a pretty good year for books. I generally know my own tastes well enough that I don’t end up reading much that I would rate below 3 stars, but sometimes you get an unlucky run of so-so 3 star books in a row. I did have some 3 star books, but even those were mostly not bad. For example, I started reading pulpy sci-fi books set in the Battletech universe (originally developed for tabletop RPGs, later for the Mechwarrior video game series, which I love). They weren’t well-written books so I gave them 3 stars, but I sure had fun reading them (and in fact I just started another one the other day).

But let’s cut to the chase. Of the 30-ish books I read this year, what were the top 5? It’s always hard to choose, but here goes, in no particular order:

A Psalm for the Wild-Built and A Prayer for the Crown Shy by Becky Chambers

Yeah, that’s right, I am immediately going to cheat and list two books as one. But these are parts 1 and 2 of a series, they’re not very long, and they’re both great. Also, coincidentally, they pretty much bookended my year. I read Psalm in the first couple weeks of the year, and Crown Shy in the last week of the year!

Sci-fi fans love to defend the genre by talking about how the speculative framing allows more freedom to conduct thought experiments with how things could be rather than sticking to how things actually are. The problem is, most sci-fi doesn’t do this very well. Or rather, it does this but very narrowly, often focused just on fancy new technology. So you end up with “what if [insert current political conflict/war/controversial issue] but in space?” It’s inevitable, and it’s not even necessarily a bad thing, but I am always on the lookout for authors who take it a step farther and genuinely imagine alternative ways of life.

Not just “what if we had fusion reactors” or similar, but “what if society was organized in a fundamentally different way?” Ursula K LeGuin did this all the time, and it’s why her stuff is so good (it also helps that she is just an amazing writer). Kim Stanley Robinson does this, as does Ada Palmer in her Terra Ignota series. With the Monk and Robot books, Becky Chambers is doing something similar but in a particularly interesting way.

Instead of holding a mirror up to our current state of affairs, and using sci-fi to highlight all of the terrible things by placing them in an exaggerated analog of our world, Chambers recognizes that our world is so messed up that its problems are obvious. She doesn’t need to rub our noses in them and say “Wake up sheeple, look how terrible things are!” We know, and she knows that we know. Instead, she skips that part and instead imagines a world where all of those terrible things are gone. Solved. No longer problems.

This series dares to do something that is almost unheard of and imagine an actual utopia. Not “utopia, but at what costs?!” Just… utopia. A really nice place to live. A world where everyone’s needs are met, where people live sustainably, in harmony with each other and the environment. Where exploitation, unchecked growth, discrimination, inequality, even money itself, are gone.

It is hard to express the physical and emotional relief that I feel when I read these books. They are comforting and relaxing and nice. Their depiction of a warm and positive vision of how life could be is just wonderful. They don’t get into the nitty gritty of how the utopia works, or how we get there from here. They just exist to demonstrate that it is possible to imagine such a world, and show us how nice that feels. And then they ask an interesting philosophical question: In a world where everyone’s basic needs are met, what gives us purpose? What do people “need” in the broader, more philosophical sense?

These are easy, comforting reads, but they’re not just fluff. They somehow manage to be easy and comforting while confronting real existential questions and daring to imagine a better world. They’re great science fiction, and simply by imagining something better, they are an act of resistance against the problems we currently face. As LeGuin put it:

We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art, the art of words.

Ursula K LeGuin

I’ll finish with a quote from the first book:

You keep asking why your work is not enough, and I don’t know how to answer that, because it is enough to exist in the world and marvel at it. You don’t need to justify that, or earn it. You are allowed to just live.

A Psalm for the Wild-Built, Becky Chambers

The Goldfinch by Donna Tartt

I try to mix up the genres that I read, but honestly I mostly read sci-fi and fantasy of one kind or another. Partly because futuristic technology and magic are cool, but also because it’s nice to have a layer of genre to act as a shield between me and the fictional stories that I read. I find more realistic stories are generally more stressful because I know that they really could happen. (Well, at least, they’re more possible than magic spells and faster than light travel…)

I may need to re-evaluate this aversion to realistic fiction, however, because when I do read it I tend to get a lot out of it. I don’t think it’s correct to say that I “enjoy” it as much as SFF, but because it is realistic it also tends to touch on real world emotions and challenges in a way that resonates.

All of which is to say, The Goldfinch is not my normal type of book, but once I finally got around to reading it, I thought it was great. Definitely made me anxious to read about the characters making increasingly terrible decisions but it did a great job of walking the line between popular page-turner and “literary” novel. It is a long, engrossing book, and somehow makes something I have little interest in (Dutch golden age art, antique furniture, criminal enterprises that steal and/or make forgeries of those things) very interesting. The writing is often wonderful too. I found myself almost highlighting a lot of passages, but most of my actual highlights are from the very end of the book, where the author really digs into the meaning of the book’s events.

I don’t hand out 5 star ratings unless I really like a book, but between the great story and the deeper meaning, The Goldfinch gets 5 stars from me.

That life—whatever else it is—is short. That fate is cruel but maybe not random. That Nature (meaning Death) always wins but that doesn’t mean we have to bow and grovel to it. That maybe even if we’re not always so glad to be here, it’s our task to immerse ourselves anyway: wade straight through it, right through the cesspool, while keeping eyes and hearts open. And in the midst of our dying, as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn’t touch.

The Goldfinch, Donna Tartt

How High We Go in the Dark by Sequoia Nagamatsu

Ok, back to genre. This was one where the protective layer of genre was very helpful, because even with a (fairly surreal) science fiction setting, this book was hard to read at times. How High We Go in the Dark is a series of interconnected short stories, spanning a huge range of time and space, but they are all about death. The framing event for the stories is that archaeologists digging in thawing permafrost unearth bodies from long ago that also carry a deadly virus. This virus spreads and ravages the world, and most of the stories in the book are in the aftermath of this pandemic.

One of the problems with speculative fiction is that when you try to summarize what a story is about, it can come across as silly or ridiculous, with none of the emotional weight that the story has when you read it. So with that in mind, here’s a sampling of some of the central ideas in the stories in this grim but beautiful book:

  • Hotels that have been converted into massive funeral parlors where you can rent a room to spend time with your deceased loved one while awaiting their cremation.
  • A scientist whose child has died of the plague is searching for the cure, but in the process inadvertently breeds a pig capable of speech, who he adopts as a surrogate child.
  • An employee at a euthanasia amusement park, where terminally ill children are treated to one last fun day before riding a ride that ends their lives, falls in love with one of the parents. (As a parent, this story pretty much emotionally destroyed me.)
  • An artist creates ice sculpture boats out of the remains of the dead that sail out to sea and then melt.

There are more stories but that gives you an idea. The blurbs for this book say that fans of Station Eleven and Cloud Atlas will like this, and since I loved both of those books I guess they were right. Like Cloud Atlas, the different stories are interconnected in interesting ways, and it was fun to identify these as I made my way through the book.

I think it’s a little misleading to call this a novel – it is really a story collection, and like any story collection the stories varied in how well they worked for me. But overall, I thought this book was quite good. Weird and dark and depressing, yes, but very good.

Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls by James S.A. Corey

Yep, cheating again and grouping several books from a series. When you read a lot of sci-fi and fantasy, you get used to series. Long, epic stories split up into 3 books, 5 books, 10 books, sometimes even more. In certain notorious cases, these series are never finished, or must be finished posthumously by another writer. In many other cases, the first book or two are great, but things gradually get formulaic, or bloated, or weird, or otherwise lose the magic of the initial books.

I am happy to report that The Expanse series does not suffer these fates. It is a 9 book series, and it is consistently excellent, and it is complete, and the ending was good. That is… basically unheard of.

This year I read a lot of books by Daniel Abraham (one of the two authors who write under the pen name of James S.A. Corey). I read two books in the Dagger and Coin fantasy series, and three novels and a novella in the Expanse series. Apparently I like Daniel Abraham’s writing! Thinking about it, he seems to particularly specialize in characters with personalities that can be described as different variations on “world-weary snark”.

I feel confident saying that The Expanse is one of the greatest sci-fi series ever. It is not particularly “deep” – don’t go looking for a lot of symbolism or hidden meanings – but it’s a truly great story, set it a wonderfully developed science fiction universe. I particularly appreciate how, despite having plenty of things in the series that violate the laws of physics in the interest of telling a good story, those instances of rule breaking are well thought-out and limited.

I would not call The Expanse “hard” sci-fi, but I would say that it does a great job of getting the science close enough to right when it can. And more importantly, it uses the limitations of real-world physics as a driver of the story, rather than a hindrance. Stories where anything goes are often less interesting than stories where there are some constraints, and by being realistic where possible, The Expanse ends up telling some great stories. It also makes the instances where things do not follow the laws of physics much more significant, both for the reader and the characters in the story.

As an aside: I generally don’t like the distinction between “hard” and “soft” sci-fi because in certain segments of SFF fandom, “hard” sci-fi (ostensibly, sci-fi that somewhat tries to obey the laws of physics) is seen as somehow better than “soft” sci-fi (sci-fi that is less concerned with physical sciences and more interested in social sciences, philosophy, etc.). This distinction between hard and soft sci-fi is so blurry as to be meaningless and often has sexist overtones.

The worldbuilding in The Expanse is great. The geopolitics of a future where humans have spread throughout the solar system (and then beyond), the messy, complicated, diverse vision of the human future in space, is just excellent. The stars of the show are the “Belters”: humans who have grown up in the cities of the asteroid belt, who are extra tall and thin due to low gravity, who are more comfortable in a space suit than on the surface of a planet, who speak “Belter creole” – a mix of various languages that is just at the edge of comprehensible to the reader. But the other major factions (Earth, Mars, and in the later books, the Laconians) are all interesting and distinct and well done.

If you haven’t read The Expanse and are up for a long but consistently excellent series with a lot of space battles and solar system geopolitics, I highly recommend it. (The show is very good too, and relatively faithful to the books, though it stops at book 6.)

I think about all the things we could have done, all the miracles we could have achieved, if we were all just a little bit better than it turns out we are.

Leviathan Falls, James S.A. Corey

What a crew does with its rail-gun capacitor in the privacy of its own ship shouldn’t be anyone else’s business.

Leviathan Falls, James S.A. Corey

The Buried Giant by Kazuo Ishiguro

This is an odd one. It’s a fantasy novel about an elderly couple who set out on a quest to visit their son, but the whole country is afflicted with a “mist” that robs people of their memories. The couple aren’t entirely sure that they even had a son, or where he lives. They end up traveling with Wistan, a Saxon warrior, and Edwin a boy who has been shunned from his own town because he has been contaminated by a bite from an “ogre”. Along the way they meet up with Gawain, as in King Arthur’s nephew, who is now an old man, and Wistan and Gawain have an oddly tense relationship from the start.

The story unfolds slowly and carefully, and everything is suffused with an unnerving unreal quality because most of the characters have no reliable long term memories. Nothing is what it seems, and everything comes with layers of meaning that I am sure I only dimly perceived in most cases. Characters behave strangely, not trusting themselves or others. Half-forgotten arguments from long ago appear and fade, and everything has that tip-of-the-tongue can’t-quite-remember feeling to it. It is a real feat to write a story that continually teeters on the edge of reality like this, and the writing in this book is really lovely. Simple, but somehow also not simple at all. It is only toward the end after a long, slow buildup that things are really made clear, but the payoff is worth it. The final scene left me holding back tears as I listened to it while cooking dinner.

I can understand why a lot of readers, used to modern fantasy stories that are relatively fast-paced, plot-driven, and without a lot of layered meanings, might not like this book. Honestly, I would probably have had trouble with the slow pace if I had been reading instead of listening to the audiobook. But it has stuck with me in a way that most books don’t. It is a haunting book about whether it is better to remember or forget, and I highly recommend it if you’re in the mood for something a bit challenging.

“Yet are you so certain, good mistress, you wish to be free of this mist? Is it not better some things remain hidden from our minds?”
“It may be for some, father, but not for us. Axl and I wish to have again the happy moments we shared together. To be robbed of them is as if a thief came in the night and took what’s most precious from us.”
“Yet the mist covers all memories, the bad as well as the good. Isn’t that so, mistress?”
“We’ll have the bad ones come back too, even if they make us weep or shake with anger. For isn’t it the life we’ve shared?”

The Buried Giant, Kazuo Ishiguro

Honorable Mentions

So those are some of my favorite books from this year. But just as I couldn’t resist cramming more than five into my “Top 5” list, I can’t just leave it there. Here are a few more that were not in the Top 5 but which are worth mentioning:

  • The Dawn of Everything: A New History of Humanity – This was a frustrating book. It offers a novel take on world history, where humans are active, imaginative agents in our own fate rather than passively at the mercy of our environment. It advocates a view of prehistory that breaks free from modern preconceptions about how societies can be structured, and challenges a lot of the “conventional wisdom” about centralization of power and the shift toward what we call civilization. But it also very clearly does some cherry picking and has a strong bias in how it interprets history. Still, worth reading because it stirs the pot and challenges some fundamental ideas.
  • Exhalation by Ted Chiang – Excellent collection of sci-fi stories, often dealing with philosophical questions like free will, sentience of AI, etc. Very very good.
  • A Memory Called Empire by Arkady Martine – Sci-fi dripping with political intrigue, set in the capital of an interstellar empire that is strongly influenced by the Aztecs. Very different and strange but in a good way.
  • Embassytown by China Mieville – Quite possibly the weirdest sci-fi story I’ve ever read. I only gave it 3 stars because it very nearly falls apart under the weight of all its weirdness, but if you want to read something really different, worth a try. It’s fundamentally a story about how the ability to say things that aren’t true – to use metaphor – underpins all of human language and thought. But it explores this by way of an alien species that speaks with two voices at once and which can’t lie or understand lies.

Ok, I’d better stop there or I’ll just write about all 32 things I read this year. Your turn: what were your favorite books of 2022? I always like adding things to my to-read list!

The Most Important Thing in the Universe

One of the side effects of studying science is an appreciation for how insignificant humans are in the scheme of things. It is pounded into your head at every opportunity. We are microscopic compared to the Earth, and Earth is not the center of the solar system. Our solar system is one of billions in our galaxy. Our galaxy is to the universe as grains of sand are to the beach. The universe is unfathomably old, and the Earth has been around for a good chunk of that time but humanity is brand new. In Sagan’s famous cosmic calendar analogy, in which the age of the universe is compressed down to a single year, humans don’t appear until minutes before midnight on December 31. On the scale of the universe in both space and time, humans might as well not exist. 

Apart from a thin film of life at the very surface of the Earth, an occasional intrepid spacecraft, and some radio static, our impact on the Universe is nil. It knows nothing of us.

Carl Sagan

This is all true, and it’s important to teach people, especially people who plan to make it their business to study the universe. You need to face reality even when it makes you uncomfortable.

However, it’s a little alarming how gleefully some people like to drive this point home. There’s a sense of smug superiority, a feeling of being somehow above the petty things that concern “ordinary” people. I find this is especially true of certain fields (you get this much more from the physical sciences than biological and social sciences) and certain types of people (especially those who think they have something to prove). 

As I have gotten older, I’ve started to realize that despite good intentions, this “minimize humanity” mindset leads to its own flavor of wrong-headed thinking. People begin to mistake feeling smart for being wise. 

The test of a first-rate intelligence is the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to function. 

F. Scott Fitzgerald

This is one of those cases that Fitzgerald is talking about. Humans are indeed insignificant in both space and time when compared to the universe. But at the same time, we are far more important to each other than the distant reaches of space and time. Both of these things can be true. “Meaning” or “significance” are not laws of physics, they are human constructs. We as humans get to decide what is significant, and the scale of the universe is not the appropriate comparison. Our lives occur on the time scale of decades, and on the spatial scale of a tiny fraction of the surface of the Earth. So what if that’s small compared to the universe? It’s big for us.

Minimizing humanity might help avoid mistakes like saying that the sun goes around the Earth, or that we are at the center of the universe since most galaxies are flying away from ours. But it can also lead to dangerous reasoning like: If humans are insignificant, then how can we be responsible for climate change? Even if you accept that there are enough of us that collectively our actions are significant enough to mess up the planet, it can lead to a nihilistic view that it doesn’t matter. After all, we’re just a flash in the pan. Earth will survive whatever we do. Some species might go extinct with us, but others will adapt and flourish. So who cares? The sun will eventually become a red giant and consume the Earth, and the universe will eventually succumb to entropy. On the scale of the universe nothing matters, everything is insignificant and transient. So if nothing matters why should I care about anyone other than myself and my immediate gratification? A brief bit of hedonism before I return to the nothingness from whence I came. 

Of course, that’s a cop out. An avoidance of the uncomfortable responsibility of deciding for ourselves what is meaningful. It’s easier to throw our hands up and say “well, nothing matters.”

LIfe has no meaning a priori. Before you come alive, life is nothing; it’s up to you to give it a meaning, and value is nothing else but the meaning you give.

Jean-Paul Sartre

Man is condemned to be free; because once thrown into the world, he is responsible for everything he does.

Jean-Paul Sartre

This minimization of Earth and of humanity also can trick otherwise smart people into fixating on the wonders of the universe and neglecting the wonders around them. I have been somewhat guilty of this. I was fascinated by science from an early age, and started studying space right when I got to college. I thought I had a pretty good understanding and appreciation for “mundane” stuff and was more interested in the exciting weirdness of the rest of the universe. But of course, I knew almost nothing about life, and now as I get older and have more life experience, I have come full circle: I feel less drawn than I used to be to the mysteries of space which have no bearing on human life, and am more interested in the richness of regular everyday life.

My point is not that we should not marvel at the universe, my point is that, in looking up at the stars we must try not to devalue the wonders that are right in front of us.  The things that matter and can bring us real happiness are right here on Earth. 

Think of your own life. All the memories and experiences that are stored in your brain. All the relationships, all the places you’ve been, all the things you’ve done. Think of your proudest moments, your greatest disappointments, your loves and your losses. Think of the things you have created, the mark you have made on the world, whatever forms that takes. Just take a moment to recognize the richness of your life and everything you know and have done. These things don’t lose their significance because the universe is vast and ancient. The universe doesn’t get to decide what is significant to you. You do. 

Now consider: there are 7.9 billion other people on this planet. If you looked at one face every second it would take 250 years to look at everyone (and in that time, billions more would be born). Every two years, humanity’s collective experience spans more time than the age of the universe. That’s a lot of people. And what really boggles the mind is that every single one of them has just as rich and vivid and intricate a life as yours. Every one of them has their own favorite places and favorite foods, their own family, their own memories. Every person has things they have created, songs they have sung, dreams they have pursued. Every person has their own story. 

Every place and every thing in the world plays a role in countless people’s stories, and has a story of its own. That big tree in the park is just a tree to you, but to someone it’s where they shared a sunny afternoon with their first love. To someone else it is where they were sitting when the doctor called with bad news. To someone else, it’s where they take their family photo every year.

I think about this a lot when traveling or looking at a map: every place that you see is someone’s home. Every house, apartment, street or park, is at the center of someone’s whole life. When you really think about this and stop relegating these things to mere scenery, the world feels anything but small. 

It feels even larger when you fold in time as well. Consider not just the significance to people alive today, but the countless lives going back tens of thousands of years. We hear so much about how all of human history is the blink of an eye in geologic or cosmic time, but at the human scale, our history is almost unimaginably deep. We’ve been here long enough for every single patch of the earth’s surface to be rich with human history. Most of it forgotten, but all of it real. 

Lately I’ve gotten much more interested in history, especially ancient history and prehistory for this reason. Just as it is eye opening to think of all the places you visit on vacation as someone’s home, it fires my imagination to consider people as real and complex as you and me living thousands or tens of thousands of years ago. Real people peering out over the wilderness of an uninhabited continent, or cautiously trading with tribes of Neanderthals, or waging a forgotten war on the ground we walk every day, or struggling with the timeless day to day tasks of raising a family. I feel the depth of history stretching out into the past, at once unreachable but intimate in our shared humanity. 

I came across this on my social media feeds after I had written this blog post.

Yes, we humans are insignificant on a cosmic scale, but so what? We don’t live on that scale, we live on a human scale. Nihilism is a cop-out. We are responsible for deciding what is significant and meaningful, and as anyone who has held a newborn can tell you, it has nothing to do with size or age. You can hold the most important thing in the universe in your arms.

For small creatures such as we, the vastness is only bearable through love.

Carl Sagan

© 2025 Ryan Anderson

Theme by Anders NorenUp ↑